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LANGUAGE
Treasured teacher embodies 100 reasons to learn Oneida
Maria Hinton, who turns 100 in June, has just put the finishing touches on a spoken dictionary of her language
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Courtesy of the University of Wisconsin-Green Bay
Elder language teacher Maria Hinton recorded the Oneida Dictionary with help from the University of Wisconsin-Green Bay. Her recordings, available online, will help future generations learn how to properly pronounce the Oneida language.
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By Kara Briggs
American Indian News Service
When Maria Hinton was born nearly 100 years ago, every Oneida family spoke the language of their ancestors. Now a great-great-grandmother, Hinton may be one of the few first language Oneida speakers left in Wisconsin, but she is determined not to be the last.
Hinton recently put the finishing touches on an exhaustive recording of the Oneida dictionary. Taking five years of almost daily work, she recorded 12,000 audio files, including tens of thousands of Oneida words, and told stories she first heard in her mother tongue.
She’s had a lot to celebrate in her centennial year. At 99, she was named one of the first recipients of the Prism Award from the Smithsonian’s National Museum of the American Indian for her quest to save the Oneida language.
“I am not completely retired,” said Hinton, of Oneida, Wis. “We need to keep doing this so the young people can learn things and then they can pass them on.”
Beside her, a young woman named LeAnne Thompson listens on the phone to the questions. She repeats them in English or Oneida for Hinton, who is hard of hearing, before Hinton takes the phone back and answers in English. Thompson has been Hinton’s pupil for 22 years, starting when she was 8.
By the time she reached her 20s, Thompson realized that what she had amassed was knowledge of words, not conversational language. She began visiting Hinton at her home, taking her to lunch and helping her with errands. Together they speak Oneida, the young woman who is now 30 keying on every inflection and turn of phrase her elder imparts. ...
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FOOD
As cherries blossom, a taste of spring
An American Indian-infused recipe from the popular Mitsitam Cafe
Courtesy of the American Indian News Service
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Photo by Leonda Levchuk, Smithsonian’s National Museum of the American Indian
Cherry-dusted sea scallops from the Mitsitam Cafe at the Smithsonian’s National Museum of the American Indian.
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Cherries pair with the earth and sea in this favorite springtime recipe from Richard Hetzler, executive chef at the acclaimed Mitsitam Cafe at the Smithsonian’s National Museum of the American Indian in Washington, D.C.
Cherry-dusted sea scallops, with roasted-garlic potato hash and cherry reduction, is an elegant dinner that can be made year round, but is never more suitable than in the sweet months between cherry blossoms and cherries ripening.
Cherry-dusted sea scallops, roasted garlic and potato hash with cherry reduction, serves 4
Ingredients
12 sea scallops
1 cup dried cherries ...
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THEATER
Family of blended heritage takes center stage at museum
Siblings of Native and African-American ancestry struggle through a process of acceptance in “Grandchildren of the Buffalo Soldiers”
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Photo by Katherine Fogden, Smithsonian’s National Museum of the American Indian
Leila Butts, as August Jackson, hands a bundle of sage to David H. Sawyer, who plays her uncle Craig Robe in the production “Grandchildren of the Buffalo Soldiers” at the Smithsonian’s National Museum of the American Indian. |
By Kara Briggs
American Indian News Service
Washington, D.C.—“Grandchildren of the Buffalo Soldiers,” a play that explores racial ostracism and redemption, is being performed at the Smithsonian’s National Museum of the American Indian.
Playwright William S. Yellow Robe Jr. draws a story of adult siblings, descendants of an African-American Civil War cavalryman and a Native woman, who find themselves driven apart by their mixed feelings about their blended heritage.
At its core, “Grandchildren of the Buffalo Soldiers” is a love story. It begins with the grandparents, who find love and leave their respective peoples to start a family together, and continues with their modern descendents, who renew their love for each other and themselves.
“Whenever you hear a story about the Buffalo Soldier, it becomes that the Indian woman was raped,” said Yellow Robe, 50. “There is no conception that these people might have been in love and that they were leaping into new relationships.” ...
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ART
One man’s interest helps save ancient art
An Ojibwe mathematician leads workshops offering a first-hand introduction to finger weaving
By Kara Briggs
American Indian News Service
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Photo by Nick Vanderpuy, Courtesy of News from Indian Country
Dennis White, who is Ojibwe, teaches the ancient art of finger weaving at a workshop sponsored by the Smithsonian’s National Museum of the American Indian. The event was held on the Lac Courte Oreilles reservation in Wisconsin, where White works as administrator of the tribal school. |
Dennis White, 63, an Ojibwe mathematics scholar from the Lac Courte Oreilles reservation in Northern Wisconsin, is credited with helping to revive interest in finger weaving, a 4,000-year-old art among his people.
Last year White was one of four recipients of a residency from the Artist Leadership program at the Smithsonian’s National Museum of the American Indian. White spent two weeks in Washington, D.C., studying the museum’s collection of finger-woven sashes and bags worn in Ojibwe culture.
“Finger weaving was at one time an important and widespread art among our people in the Great Lakes, but now there are not that many people in Wisconsin and Michigan that actually do the weaving at the advanced level,” White said.
He conducted two workshops, one at the museum in Washington, and the other—a three-day gathering—at the Migizi Cultural Center at the Lac Courte Oreilles Ojibwe Community College in late February. ...
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MUSIC
Jazz sax in a Native key
Sharel Cassity, a Juilliard-trained musician who is Cherokee and Comanche, gains a following with her distinctive talent and sound
By Kara Briggs
American Indian News Service
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Photo by Michelle Watt
Sharel Cassity plays the alto saxophone in front of a mural of jazz greats. The Cherokee musician recently performed at the Smithsonian’s National Museum of the American Indian. |
New York—Cherokee saxophone player and bandleader Sharel Cassity has a trademark lick. It sounds like the wavering falsetto that starts a powwow song.
“I believe that jazz comes from the powwow drum,” said Cassity, who lives in New York. “There are elements from Africa. The harmonic consistency comes from Europe. But you don’t get that thump, that boom, boom, boom in the bass and drums without the powwow.”
Jade Synstelien, the first bandleader to hire Cassity, says she brings a Native sensibility to all her work, including her new CD, “Relentless.”
Cassity performed with the Tony Lujan Septet at the Smithsonian’s National Museum of the American Indian earlier this month. The concert was a tribute to bebop pioneers Dizzy Gillespie and Oscar Pettiford, who was Choctaw and Cherokee. ...
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YOUTH
Native students invited to compete in writing contest
Winners will receive a trip to the museum with their teachers and a scholarship
American Indian News Service
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Photo courtesy of Holland & Knight
Last year’s winners of the Young Native Writers Essay Contest at the Smithsonian’s National Museum of the American Indian. From left to right: Robert Boling, Comanche; Helena Cross, Mandan Hidatsa; Craig Merrick, Northern Cheyenne; Kelsey Proctor, Muscogee Creek; and Mariah Oney, Navajo. The 2010 contest is now accepting submissions. |
"I am an Indian! I am Indian you hear?" My father shouted from the highest reachable point of the mountain closed to public.…he shouted to hear it himself and he shouted to make sure I was listening. He continued to cry out his arrogance and finally satisfied he sat on a rock, drank from his bottle and looked at me. "And you my daughter?" he chuckled, "who are you?"
——— 2009 essay winner Mariah Oney of Phoenix, who is Navajo and Yupik, writing about a confrontation with her alcoholic father.
This year’s Young Native Writers Essay Contest invites Native American high school students to describe a crucial issue confronting their tribal community today and “explain how you hope to help your tribal community respond to this challenge and improve its future.” ...
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NATIONS
Museum welcomes Argentinian president
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Photo by Katherine Fogden, National Museum of the American Indian
Washington, D.C.—Cristina Fernández de Kirchner, the president of Argentina, visited the Smithsonian’s National Museum of the American Indian on Saturday, April 10, while in Washington for President Obama’s nuclear security summit. Fernández de Kirchner, third from the left in front, speaks with the museum’s Ramiro Matos. She also previewed "Argentina at the Smithsonian," a year-long series of programs from the Smithsonian Latino Center commemorating the 2010 Argentine Bicentennial. |
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