MUSIC
Exploring Native American influence on the blues
Musicians and scholars hear familiar rhythms in the roots of the quintessential American art form, inspiring discussion and performances at the museum

By Katherine Fogden, National Museum of the American Indian.
Murray Porter, Mohawk, leads the Rez Bluez All-Starz in concert at the museum. In his signature tune “Colours,” Porter sings, “He’s a red man, singing the black man’s blues, living in a white man’s world.”

By Katherine Fogden, National Museum of the American Indian
George Leach, Sta’atl’imx, won Best Male Artist of the Year and Best Rock Album at the Canadian Aboriginal Music Awards in 2000 for his debut album, “Just Where I’m At.” Denis Rondeau plays bass behind Leach at a National Museum of the American Indian’s Summer Showcase concert.

By Katherine Fogden, National Museum of the American Indian
Blues singer and bass player Shakti Hayes, Plains Cree, of the Rez Bluez All-Starz performs at the Smithsonian’s National Museum of the American Indian with guitarist Beaver Thomas, Plains Cree from the Cowessess First Nation. Thomas has opened for country star Dwight Yoakam.

By Katherine Fogden, National Museum of the American Indian
Corey Harris, performing at the Smithsonian’s National Museum of the American Indian, is a student of anthropology and linguistics, and MacArthur Foundation “genius grant” recipient. Harris, who is Cherokee, Creek and Chickasaw, said, “Africans being taken in by Native American communities was always spoken of in our families….You couldn’t see it in a book, but it was passed down through families.”

By Katherine Fogden, National Museum of the American Indian
The Carolina Chocolate Drops—Dom Flemons on four-string banjo, guitar, jug, harmonica, kazoo, snare drum, and bones; and Rhiannon Giddens and Justin Robinson on fiddle and five-string banjo—strive to carry on the traditional music of the communities of the Carolina Piedmont. The band, shown here in its performance at the Smithsonian’s National Museum of the American Indian performance, recently worked with Tuscarora singer Pura Fe to explore links between Native American and African American music.
(Click photo to download print-resolution version)
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